A message in the family chat: my daughter had to present the 1960 Valdivia earthquake at school the next day. My plan was a four-slide deck. Then I remembered I can do better, so I forked my personal UGC video pipeline and adapted it with Claude in 45 minutes. The result is a cat professor who explains the biggest earthquake ever measured, and a channel my daughter and I now grow together.

My daughter had to present the 1960 Valdivia earthquake at school the next day. I told her I would make her a support piece to show on her school computer.
A simple deck, with an AI cat image here and there because she really likes cats.
I forked my personal UGC video pipeline and adapted it with Claude in 45 minutes: a cat professor in a white coat, with cat treats in the pocket and a Chilean flag, who explains the biggest earthquake ever measured.
I thought it looked nice, so I shared it, and someone suggested making a channel. I asked her, she said yes, and Professor Whiskers now lives on Instagram. She committed to helping me come up with the ideas for future episodes.
Every step is a node on one canvas. The canvas is a concept view drawn over the real pieces, so I can show how the whole thing fits together.
Nano Banana 2.1. The easiest cut. It took two refinements, first the cat treats in the pocket and then the Chilean flag, on a green background to cut it out.
An LLM wrote four short takes for 4th graders, kept short and digestible.
Gemini TTS, voice Puck, one audio take per scene, shown as soundwaves on the canvas.
Gemini Omni turns the base image into the moving cat.
Wav2Lip runs locally to match the mouth to the voice, and then the green is keyed out. Nothing leaves the machine.
three.js, as usual, to explain it: a low-poly Earth with a WebGL shader for the sea that affects only the Pacific. Modeled with Blender MCP, using Claude Code from inside the pipeline node.
HyperFrames puts the voice, the cat clips, the 3D world and the titles on one timeline, and I tune each take.
One click renders the final video.



Although these experiments come out of my own pocket, a few dollars a week, I am happy to pay for them: it is how I learn, and how my daughter learns how AI and tech really work. She helps me with the ideas and the creative side of future episodes.
The video shows how I built it, step by step, with the whole episode at the end. The Instagram channel is where the next episodes live.
Built with Claude Code, Claude and HyperFrames. The idea, the taste and every decision are mine; the code, the pictures, the voices and the videos were produced together with the AI tools.